Abstract Painting – Abstract… What precisely should the expression Lead to?

Webster defines abstract as: a.considered apart from a certain instance, b.expressing an excellent independent of the object or c. having only intrinsic form with little if any pictorial representation. Put simply; taking an item and emphasizing its core fundamentalness. All three definitions very easily fit abstract painting in showing, telling, drawing and painting the very essence of the thing without actually depicting the thing itself.

How can an abstract painter arrive at an abstract design? Many stated which they started with a representational motif, that the motif was something readily identifiable. Then they dissected the motif so to speak, trying to find the bare bones, the very essence of the object. They expressed this essence with colorful shapes, some beautiful, some drab, and some just plain ugly.

In almost any painting the artist is making a statement. It’s easy to say pretty pink flowers in a representational painting. What the abstract artist has to say must certanly be said with his/her simple means; brush marks, color and interesting shapes. Also, since color is arbitrary, color are at the artist’s whim, and may or may possibly not be pretty and has nothing to do with the painting’s success¬†https://joomlamarketingtips.com/large-abstract-paintings-painting-for-beginners/.

To create a meaningful statement without a recognizable subject is daunting. It’s not really a matter of simply looking and drawing. He/she must use each of their wiles to activate us in dialog with their art, being limited, or we should say, unlimited, with unrecognizable shapes and unrelated (to the object) color. The artist must interest and talk to the viewer through form and color.

A weak, wishy washy, pretty pink flower painting says, “Weak, wishy washy pretty pink flowers!” Bright, bold colors, without form and substance in a abstract painting says, “No form and no substance!” Neither painting is successful.

So….. here we stand in front of the piece of art, having no comprehension of abstract art, its purpose and intention. We want to respond but we are without a clue. So, we hesitate in front of the art work, we don’t know what to say, we don’t react to along with or design, so, we walk away saying, or at least thinking, “That artist must certanly be nuts!” And wondering what the painting was all about. What was its purpose? Was it good art or not?

There are some people that are of the opinion that a painting must certanly be representational to be good art. And if they can’t see every hair on the top and every leaf on the tree, then a art is not good. That only is not true. You could like the see every hair but that is certainly not a sign of good art.

What guidelines do we have in judging abstract paintings merits? The guidelines that representational painters must follow are exactly the same for the abstract painter. The work will need to have readable values, color harmony and dominance, repetition with variety in shapes, colors and lines, all that concerns good art should also be in abstract art.

An accumulation wild colors and shapes does not necessarily total up to good art in abstraction or representational art. A great abstract could be harder to display than representational art because the artist is depending on his imagination and intuition to produce something meaningful and of value. (not necessarily monetary value)

In attempting to understand abstract (non-representational) art, approach it with the theory in your mind to simply appreciate what is before you. Sometimes the title will give us a clue as to what the painting is about. That helps. Then look and pay attention to how it affects you.

Does along with speak to you? Have you been lifted up or cast down by along with? You may have some reaction to a piece of art work, it’ll move you in some manner, perhaps little, perhaps a great deal. Identify what it is. Good art, whether abstract or representational, sets a mood, tells a story, however subtle, intrigues and interests the viewer, and therefore, each painting must certanly be appreciated by itself merits.

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